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Literature Text
I've been writing fragments lately. Nothing profound; mere literary tidbits jotted down as they surge. Haikus, paragraphs, instant messaging musings. The topics are varied; voice and style, delightfully inconstant. Said drabbles coincide only in being unprofound; quintessentially inane and of no remarkable consequence.
But shuffling across and thinking through my recent grammatical smorgasbord, I've accumulated the speculation that perhaps all literature—even the distinguished specimens: The Iliad, Don Quixote, The Hobbit—may simply be sources of intellectual snacking for the quicker of wit. The delicate process of composition, storytelling, characterization, may be the mere by-product of the real mystery. An aesthetic side effect of imaginative lying. The actual beauty of it might lie submerged, its art composed by its mechanisms.
A controlled secretion of ink onto paper. A sex of unadulterated materials becoming irreversibly permeated; contaminated; conjoined;embraced by each other. A delicate emanation of viscous liquid into fibrous weave, irrevocably absorbed; merged to stain in sequential squiggles hopefully close enough to several dozen preestablished shapes that they might fabricate sense. Or, when we get really lucky, sentences.
Maybe it is not the writing, but the fact we are writing, where the profundity dwells. Maybe this exercise of pen and paper, of controlled euphoria, is the true essence of it; perhaps the what of our scriptures is irrelevant.
Mayhap, just perhaps, the only value of writing is lying within the undeniable fact that we must, and we do.
But shuffling across and thinking through my recent grammatical smorgasbord, I've accumulated the speculation that perhaps all literature—even the distinguished specimens: The Iliad, Don Quixote, The Hobbit—may simply be sources of intellectual snacking for the quicker of wit. The delicate process of composition, storytelling, characterization, may be the mere by-product of the real mystery. An aesthetic side effect of imaginative lying. The actual beauty of it might lie submerged, its art composed by its mechanisms.
A controlled secretion of ink onto paper. A sex of unadulterated materials becoming irreversibly permeated; contaminated; conjoined;embraced by each other. A delicate emanation of viscous liquid into fibrous weave, irrevocably absorbed; merged to stain in sequential squiggles hopefully close enough to several dozen preestablished shapes that they might fabricate sense. Or, when we get really lucky, sentences.
Maybe it is not the writing, but the fact we are writing, where the profundity dwells. Maybe this exercise of pen and paper, of controlled euphoria, is the true essence of it; perhaps the what of our scriptures is irrelevant.
Mayhap, just perhaps, the only value of writing is lying within the undeniable fact that we must, and we do.
Literature
Dealate
You write on the edges of
dreams and tangerine skies.
Nature shivers when your
fingers trail along sunsets
and treetops. There's nothing
that can stop you from flying,
and I hope that you never do.
--
The wings on your back have
been grown with feathers made
of early morning dewdrops and
rainbow-coloured clouds. They're
transilluminated and I swear I
can see eternity through them.
--
There are a hundred million
reasons why you shouldn't be
able to soar, but you only need
one excuse to defy gravity.
--
Would you mind terribly if I stole
your wings? I'd like to see what
tessellated perfections look like
from far away.
Literature
If I Were A Line
If I were a line
I think Id be curled,
billowed and swirled,
and slowly unfurled.
Id sweep over a page,
if I were a line,
with the wind in my hair,
and my heart laid bare.
Thats what Id be,
if I were a line.
If I were a spot
Id be round and fat
(now how about that?)
like an old, well-fed cat.
Id have drizzled and dropped,
if I were a spot,
pittering and pattering
with a slight hint of smattering.
Thats what Id be,
if I were a spot.
If I were a colour
Id be a rich red,
like a painted deathbed
or a sword to the head.
Id lunge for macabre,
if I were a colour,
m
Literature
you
i learned a lot
after i met you.
the first thing
i learned
was that
some people pretend
to be okay
but inside theyre
dying.
a lot of things
(i mean people,
and i mean you)
are not always
what they seem to be.
another thing i learned
was that all good things
come to an end.
but maybe in our case,
it was for the best.
-
theres a fine line
between
love and hate.
i could never decide
which applied
to you.
-
you once told me
that i looked
prettiest
when i cried
but i think
you just liked
seeing me hurt
because i never saw
what was so
damn pretty
about it.
Suggested Collections
Word Count; 238
Admitted, I found the draft in a notebook I'd used as a travel journal a few months back. Wrote it spur of the moment at the time.
I thought it would be appropriate for 81. Pen and Paper.
Plus, I particularly like the idea of writing being akin to sex.
Thanks to ~Mystal who helped me proofread.
Admitted, I found the draft in a notebook I'd used as a travel journal a few months back. Wrote it spur of the moment at the time.
I thought it would be appropriate for 81. Pen and Paper.
Plus, I particularly like the idea of writing being akin to sex.
Thanks to ~Mystal who helped me proofread.
Comments10
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We do indeed.